There is a four-note figure resembling John Coltrane's A Love Supreme near the beginning of the jam proper, later what sounds like a tentative group-mind decision to segue into The Lizards (thankfully, they keep jamming Moma), and a few minutes before the > into Breath and Burning there's a part of the jam that sounds somewhat like a slightly slower version of the portion of the 12/31/99 Split Open and Melt right before it segues into Catapult. That's quite a lot of interesting musical intertextuality, in my humble opinion.