Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by CarrotEyes
Then there’s the second set. SYSF in some ways follows the excellent example of ER from the night before, and as with its predecessor is likely one of the best versions to date. The segue to Lonely Trip which follows is surprising but is also perhaps even more emotionally poignant as a result. It just works.
A Catapult-infused machine jam sandwiched between high-energy takes on Simple and Meatstick then leads to a totally unhinged Ruby Waves. Like Lonely Trip, though, the subsequent Bliss segue to Billy Breathes fits and flows. Not to be outdone, a set-ending Hood that is concise yet powerful comes screaming to its rightful end.
Still, there are more high points to cover: Sand, Reba. All in all, with a different selection of songs this show might not have sounded out of place in Spring or Summer 1994. The energy, song placement, and execution seem similar, if not exactly alike. It’s a gem for sure and bodes well for Fall. Onward!