Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by dr32timmymeat
I've been plowing thru '96 shows to get a better sense of how the '97 funk evolution came about, and this Mike's provides a window into the future.
There is an extended funk section, and an extended Trey-taking-a-backseat section. Neither of those things were commonplace during '96 (at least not to the extent that would become perfectly normal in '97 and '98).
You can find fun Europe Summer '97 shows that also hint at the funk emphasis that was about to unfold. But having listened to every show of '96 for the sole purpose of seeking out when the guys started to sound different, this is the first obvious precursor I've found of what's to come. Worth a listen!