Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by zarathustraz
I think as connoisseurs of Phish we've developed a taste for Type II jams and the radical musicality of the early-90s, but we need to be patient with the uninitiated. There's a lot of variety to choose from in the Phish catalogue, but I think we would be best starting a noob off with something more polished and simplistic. (Btw, for a friend just venturing into Type II territory, I recommend selections from 7/13/14. All polish, variety, and quality). For that reason, I choose this show. Very polished, solid Type I jams (C&P is too meandering to qualify for re-listens, but good attempt Trey & Co!), and all of a similar vein. If this show had a color palette, it would be dark blue, like the album cover of Rift.
Timber starts things off rocking and fun. The chorus is contagious, so even if your friend doesn't make it past this song at first, you have a good chance at landing an earworm that might bring him or her back later.
The funk of this Wolfman's is cooking pretty hot, and it has some nice extension, so, in addition to being just a generally pleasing song to the ear, it provides a nice taster of jamming. Remember: funk jams will always win over the most converts.
After that, you have the seamless sequence of Twist > Steam > Waves > Twenty Years Later > Mango Song > Bug > David Bowie. Transversing eras of music, all songs include exceptional Type I jams and maintain a consistent energy and vibe. Twist has the added bonus of a Tequila tease, which most people will recognize, and C&P teases abound (this, in fact, could also be the only downside to the song selection because without the C&P second set opener, these teases are a bit divorced of context).