Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by EducateFright
Gosh, this soundboard (from LivePhish.com) is crystal clear! The funk starts with the second song of the first set: Antelope! This Antelope features some twisted guitar from Trey, accented by the excellent use of some truly demented effects. Foam is so tight, it could have been played in '92. Later in the first set comes a KILLER Maze... Around the 5:00 minute mark, during Page's solo, Trey starts to make his guitar growl – very cool. Thanks to more heavy effects, at 10:00 Trey's playing starts to get very fractured and generally weird, and the weirdness never really lets up for the remainder of his long solo.
Set 2 is what's really made this show famous among fans. Tweezer is heavy on the funk, but Izabella sports the standout jam of the set. Piper is remarkable for Trey's relentless, fierce playing. It's a great set, but honestly I don't think it quite justifies this show being in the top 5 of all time.