Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by NigelTufnel
Got psyched for the Halley's set two opener, thinking positive improv thoughts, but then I remembered that this is 3.0 and not to get caught in that fantasy land. Disappointment averted! Light was still morphing into the dependable vehicle it is today, and this one alllmost got there. Not quite, but almost. Solid segue into Billy, and a grade A Billy it was. I didn't realize at the time how little stage time this song actually gets...I feel lucky to have seen it.
Tweezer was...okay. It was funky and very minimalist, even for this band, almost to the point that I couldn't take it anymore. Trey repeats a single little riff for much of the jam, and by the end it makes me antsy and annoyed. But the final 3 minutes or so are absolutely beautiful. They descend into spaceland...almost 2.0 sounding...and just vibrate and dwindle like the setting of the sun. Worth the wait, if you can handle Trey being painfully repetitive. Pensive, deep space gurgling and glacial drone await you, and the coda is exponentially better when heard in the context of the entire jam, rather than skipping right to it as I often do.
Absolute standout Theme follows, with Trey ripping it up in ways we perhaps have come to expect...but it was out of the blue, especially for a Theme, and totally worked. A much needed boost. Listen to it. I recall Hood being decent, and the set closed on a predictable note.
The encore...well! I enjoyed Monkey thoroughly, and loved the energy of Reprise live. But the second one was a surprise and even more energetic than the first, which I didn't think was possible. Again, one of those moments when you feel lucky to have witnessed it. Truly special.
To conclude, in the words of my fellow .netter Waxbanks: the show is "wonderfully inessential" - but well worth the listen.