Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
I neither love nor hate Sand, but have heard some incredible jams come out of it. This one was long and exploratory, disjointed at times, but overall great energy and really fun to listen to, again, setting up what I hoped would be an awesome second set. It had some great moments but overall, I don’t think Trey was very on point tonight and poor Mike had to deal with sound issues throughout the entire show. He signaled every song for more volume, and from where I was the lower-toned drums were way too loud in the mix. I don’t have much to say about the rest of the set except that the Melt jam felt like the kind of space that I’d feel in a chaotic1991 BBSCFM. I scanned the crowd and they were many confused people.
All of this said, the light rig is so far and away the most amazing accompaniment to music I’ve ever seen that I can always take refuge in it and be jaw dropped following its alien movements.