Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
To each their own of course, but I deeply disagree with you there - those songs bring the heart and soul to match the fire and fury of the big ragers and psychedelic jams, just as similarly paced, reflective songs did for the Grateful Dead.
Not getting that feels like missing a key part of the phish journey, to me, and I am really sick of the derision for these kinds of songs - especially in a show that had plenty of soaring, adventurous, dark and outer space vibes too.
Balance, my friend. Balance is good.