Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
I feel like the second set is already getting swept under the rug somehow. Mike's use of the drill at the end of DwD was absolutely crazy, and i imagine there were a few people slackjawed for that minute or so, if not a little scared, and you are right about the jam that preceded that. Crosseyed could have gone for 30 minutes easily, but they were able to find a solid spot to transition. Everyone has to hear how well Fishman hits the high note in the "Hospital" line of his first verse. The Scents was my personal highlight, thoughtfully weaving all those themes quite seamlessly, with short jams that effectively tied them together. I expected at least one break, and if that's what someone calls Boogie On then damn. To close it out with Hood and Antelope was over the top!