Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
For example, my claims about the value of the Simple in relation to 4 other very long or very epic 3.0 jams are also trying to shape the narrative, and so maybe it is more accurate to say that I dissent from the narrative itself as a matter of substance and and from the review format as a matter of review writing aesthetics. I love that sort of dialog over interpretation and aesthetics, but it works better in forum threads and through things like the jam tournament than it does as an introduction to a particular show recap/review.
Let me put this way: I find the stock market ups and downs/trends approach to analyzing the historical direction of the band as an artistic enterprise to be boring and/or based on incomplete information. Attempting to put a show into historical context within hours is fraught -- and also unnecessary.
@Lumpblockclod
My post got speculative about the motives for the recurrent 'stock market style' analysis and if that felt like a flame I apologize. There is a wider trend of overwrought reviewing of which I found this to be an example, and it is really the trend in general and not this review in particular that I'm commenting on.
I hope that clarifies my position and I wish everyone to have a great day. I just listened to the Carini from last night so