Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
It takes balls to rank Coventry as high as it was ranked - I disagree, but can't argue with the logic. Despite issues with the composed section, that WAS the greatest Melt of all time. The Bag, while not nearly as good as MSG '97 or Boise '99, was still a Top 5 rendition. The highs were high and the lows were low.
One last thought that I know will go against the grain, but I think this community needs to hear it. I guess it's fine to gripe about the "sameness" of some of the BC jamming. But you are not taking into account a) a three-set show that took place the day before and a super-long set that occurred the evening of b) how much energy it takes to play for 7.25 hours in a row (please don't use this sentence to make light of Trey's struggle with drug addiction) and c) given how physically taxing it is to play for 400+ minutes in a row, the mental/creative synapses are not going to be firing full-bore for that freaking long. That's why when you look at the highlights, the preponderance of memorable jams take place in the first half the set, not the second.
1. Big Cypress
2. IT
3. Went
4. Magnaball
5. Oswego
6. Clifford
7. Coventry
8. Lemonwheel
9. Fest 8
10. SB IX