Second night of BGCC was ecstatic. Soup to nuts this show had all the pieces I like. For comparison, look at the second and third quarters from the night before and night after, ya know...or not.

First set of BGCC saw a second set opener placement of Crowd Control. Not really something that grabs you by the short and curlies I think, but it leaves room to go up. Any song that has been played in this and the last tour has been played extremely well. This one is no exception. It is not a technical song, but still, I'd rather see Phish nail a simple opener than flub their way through it. A Mike's> Hydrogen> Groove follows, winning. Have not relistened this version yet, but it was ON. Kuroda worked the room nicely as an accent, but the sound and timing of all members were synced up. And they should be as this is one of the older segues in the phish cannon. I felt like this Mike's worked through it's phases distinctly. It clocked in around 8 minutes, but not for lack of feeling or emphasis. Find me a fan who does not appreciate what a first set Mike's groove sets up and I will find you someone who actually rhyme the word orange. I was with friends who were seeing their first shows and are not likely to see others, they just have a lot going on and Phish is not in their wheelhouse. Watching them through Mike's Groove was fun. It had their attention, got them noodling, and boy did they look good in the sequinned capes.

Wingsuit, bring it, I like all the new tunes. Well, maybe not all of them, but I am on board with the new album and the lives the songs are taking on stage. (More on this later) I liked Wingsuit the first time I heard it. The feeling has not changed. THe vocals get a little shaky at times as it is just outside of the range that the boys have, but the song has legs/wings and space for creation. As a fan of the Meters, I see the value in leaving those spaces open in songs, to be filled in or not at later times. At this point in the show, momentum wise, I think the crowd was 50/50 on whether they were stoked or not. I was stoked. Water In the Sky was a odd call, I could understand people feeling like this turned the set down a notch for them. It is a fun tune, I think can work well situationally depending on show settings, or maybe location, and sometimes I think it falls strangely in the setlist, like some other songs out there too. Either way, well played, kept us moving and did not lose me. Plasma to the end of the set sealed the deal for me, this was a solid first set when taken as a whole. Maybe it did not rage from beginning to end, sort of like night 1, but nonetheless, a killer first set. Plasma has been a favorite of mine for a while and I am so happy Phish has adopted it. This version has nothing over the top, but still it holds its weight as a tune and has a great guitar hook. Halfway to the Moon is another great song that gives Page space to shine, and I think he does that quite well lately. Gumbo is a standout. It is worth inspection for your own take. Everybody took a turn throwing in the mix, and the segue into Sanity was real fun. Sanity, complete with a partial lyric space move from Trey held its own for uniqueness and in the moment playfulness from the band. Antelope closer. Go have fun and compare the SB2 antelope with this one. They are both great. This song does very well with how the band is playing lately. IT'S GREAT, ENJOY. So there it is, first set, definitively. First quarter standouts being the Mike's Groove, second quarter Plasma to the end for me, maybe Gumbo to Antelope for others. Solid. Note the lack of utter fails from the band, note the typical first set jams in Mike's Groove, compared to the second set style of the Gumbo> Antelope. Energy wise, from start to finish the band took us on a solidly upward trend. Demonstrating yet again that they is always more room to go up.

The second set was phenomenal. Again, phenomenal. Someone feel free to counter me, its all good. I will share my reasons and biases. I was shocked when an old friend said that night one was better in their opinion than night 2. (The opening of the second set in night 1 through to the liftoff of the jam out of Ghost was, in my opinion, better than sleep aids.) SO, night 2 set 2. Some firsts for me. Feel pretty certain that around 9:15 into this KDF this version separates itself from the pack. I like this song, and I like seeing it get opened up. This was a solid second set opener, complete with some great moments of "alright, go for it" from the band. Mountains in the Mist. I love it. Seen it before in various moods. I think this one served well as a counterpoint to the KDF and also as a setup for Fuego. MITM also gave the stage to the side of Phish that definitely exists, the band that wants to play music with sounds you are not sure you are hearing. What I mean is, Jerry Garcia came up in bluegrass and as a banjo player. He played distinct notes. Trey is a student of jazz. He definitely plays notes at volumes that leave you straining to listen and wondering if everyone else heard what you did.
In that vein, MITM gave room for some softer noodling, mellow jamming within the framework of the song, but without dragging. Fuego, first time I had heard it live. I like it. I have to say that it has elements of the New Kids on The Block, and I say that without any hate. As I was grooving to the song, I could not stop from laughing at myself that I was dancing to a distinctly "hangin tough" rock ballad. And a rock ballad it is. They made a nice point counterpoint IMO by pairing it with Julius. I have only seen this as a set opener and it is a old favorite. THis one gets right to it, not the longest or with huge departures in framework, but high energy and a mood lifter. I think the Julius is what took the second set to its next gear.

Twist> Jim> Hood made a solid fourth quarter statement. Each of theses songs goes outside their norms, Twist has a nice transition to Jim with some great out of form jamming on the way. It never went full hose in my opinion, but it does get top marks for being outside the box and exploratory. Jim worked its way through a tight 10 minutes with nice buildup to a great finish. As many of us do, I appreciate how playing around the the outside of the key of the song in the jam makes the finish feel like you have arrived somewhere.

Hood, I thought it was fantastic. I have seen similar remarks. I have heard counterpoints that brought up Hoods from 94, 95, 96. I feel the same about Ghost when people say a 3.0 Ghost was good. I feel the song just does not have the legs it used to. Regardless, IMO this Hood sets itself apart from the rest and next to some of the best. Does anyone else have moments in shows where they hear something and think "well that was different, never heard that before" and then use it as a qualifier of why it made the version better or worse? I do, guilty on that one. This one had me grade it better based on a few parts of the opening and the jam. The jam deserves a review of its own, I think that is what made this the exclamation point. Several distinct places, around the 8th minute for example until about 9:15 was unique, before shifting gears and hearing Trey throw in some new licks and have Page jump in with him. I definitely caught Party Time teases? I thought the 9th minute through the 11th or so stayed in a party time theme which was great. I guess leaving it open to interpretation preserves some of the magic. At any rate, we did not return to the Hood jam structure til somewhere after that. And it was well done. Could not have been happier for what that jam can do to a room. When Trey and Page trade leads in the jam, subtely, I love it. The Have Mercy teases were nicely placed by Trey, I always feel like teases are a way of saying "yeah, we got this". I am not a great musician, the ability to play another song in the middle of another is still a level away from me, once I change I can't go back, but when the boys do this I always smile.

Loving Cup was a nice encore for a great night. Ever since "8" I have felt like I would never really enjoy Loving Cup as much as that night, it's sort of proven true, but I was sucked in on this one from the momentum of the run. All in all, BGCC 1,2, and 3 had its moments. Night 2 was the best from start to finish for me, regarding the music, jams, song choices and setlist layouts. I was happy to have seen the SF run as well as the SB 1 & 2. Having my run of shows coincide with the start and finish of the World Series was a nice touch that will always help me remember both events with a smile. Not sure any of SF ever reached the SB2 standard, I still think that night was one of the best of 3.0 and 1.0, but that is another ball of wax. Bout 4 hours til Halloween kicks off, hope those in attendance have fun! I say, there will be no cover, just three sets of great phish. But if they do, it will be awesome, and I will enjoy listening! That is my opinion. Cheers, Happy Halloween.