Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
A fine effort on the review, @sausagemahoney, considering your somewhat distracted approach.
It's funny no one here seems to have picked up on the joke that to me was quite evident while sitting comfortably in one of the best lawns on tour. Consider the "bust-outs" played last night: Pebbles, Scents, Taste, Vultures, FEFY (perhaps STFTFP too). What do they have in common? People bitched about all of them when they first premiered and were played regularly, but now praise them as sought-after gems (except apparently FEFY in the above recap). Most of Fuego will fall precipitously from the regular rotation as time marches on, and it will be funny when Wombat becomes that rarity heads are chasing. My advice to all phans, young and old, is to maintain some perspective on how fucking fantastic things are right now, and leave the hypercriticism at home. The band is having as much fun as ever, and you should be too.