Welcome to the 302nd edition of Phish.Net's Mystery Jam Monday, the last and hardest of November. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the three mystery clips, which are connected by a theme. Each person gets one guess to start – if no one guesses correctly, I will post a hint on Tuesday around 10 AM PT / 1 PM ET, after which each person gets one more guess before I reveal the correct answer on Wednesday if the puzzle hasn't yet been solved. Good luck!
Note: Here's a SoundCloud link for any suffering technical issues:
Answer: Congrats to @wforwumbo on his third win in three months – do we have our next MJM Emeritus rising through the ranks? Or will one of our other multi-MJM winners break through first? For this week's puzzle's answer, it's time for a (recent) history lesson, as some may not know:
After what was perceived by some fans as writers' block, and many previous albums being mostly Trey and Tom collaborations with one or two songs sprinkled in from the other bandmates, the band scrapped their old approach and began a collaborative songwriting process in 2013. For inspiration, they began by rooting through Mike's notebooks (in which he writes about each show) for recent jams he felt were particularly cool. They relistened to those jams and the cool sections Mike noted, excised their favorite bits, and reshaped them into songs that debuted on 10/31/13 as Wingsuit – see the 2013 PhishBill here for the band's take on that songwriting process. I chose three of those reshaped jams for this week's MJM:
- the 8/19/12 "Light" had a section that was written into "555" – that particular section was played publicly only once, during the "555" debut on 10/31/13, but left on the cutting room floor for the album and all subsequent versions
- the 9/14/11 Soundcheck had a section that became "Fuego," and other sections that may have been the genesis of "Wombat" and perhaps even "Wingsuit," as @My_Powerful_Mind points out
- the 8/12/10 "Drowned" had a section that became "Waiting All Night"
The theme for this week's MJM is "jams that became songs on Fuego / Wingsuit." Thus concludeth your history lesson. See y'all on Monday for MJM303, where things get easy and less verbose once again.
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-8/19/12 Light
-9/14/11 Soundcheck (the first jam, starting around 8:20 on this youtube video)
-8/12/10 Drowned
Theme is jams that took place in leg 2 of a summer tour.
If you listen through the entirety of those jams, particularly the end of the Drowned, I bet you'll recognize the real theme I was after...
(There is no requirement for getting the theme correct so no worries there)
(Sorry, Dad joke!.)
And for everyone out there, pete has filled me in on what the theme is. I'll let y'all try to figure it out before he announces tomorrow.
The patterns I've mentioned above hold for most of my favorite jam vehicles and jams as a whole.
Now all this being said, I'm not sure I'd really change the jam charts as a whole. For one thing, Phish's music is so subjective, it's hard to pin down what exactly does or does not make a version jam-chart-worthy, let alone notable or highly recommended. I mean, that's not even to discuss what style of jamming people may prefer - do you want chaotic and frenzied and high-energy? Funktastic or plinko dance party? Goopy, grimy, dark, and dissonant? Space jazz? My personal favorite - swirly, melty, psychedelic, modal bliss heaven? Another form of jamming I haven't mentioned? At the end of the day the jam charts are a decent jumping-off-point if you want to explore a song, a tour, a year, or a jamming style. For another, I HIGHLY respect the work of the stewards of the jam charts - it seems like a lot of work to compile, annotate, and continuously update. As a third point, to me it also adds to the allure of discovering a truly deep jam that's off-the-beaten-path - while this isn't necessary for a jam to be amazing, in my opinion it's nice to add another page in my personal catalog of jams that isn't well-known and over-discussed.
Is it from the bottom?
From the top?