We’re now fully in the swing of tour, show #6 of summer leg #2. Tonight the band returns to an old Phish haunt not visited in thirteen years, Oak Mountain Amphitheatre in Pelham, AL, a ~10,000-seat all-reserved open-air venue. This was the third Phish show at this facility (10/15/94 & 9/28/99) and the seventh in the state of Alabama. This show was provided as an official LivePhish webcast. Let’s cut to the action.
“Possum” starts off, a little “early” @ 7:55 local time. Uneventful but fun, a quick break and then “Cities,” an easy call given the “A lot of bridges in... Birmingham” line which received the requisite crowd appreciation. An unusually rough rendition of “Sample in a Jar” was next, about which the less said, the better. “Timber” held early promise but retreated into it’s 3.0 shell before it developed into something interesting, giving way to a solid if concise version of “Back on the Train.”
In a rare instance of Trey getting his facts right from the stage, he noted that “It’s good to be back here, it’s been like thirteen years or something. Thanks for having us back. The people in the back are much higher than they were the last time!” Page then came to center stage to deliver “Lawn Boy” which was dedicated “to the people out on the edges of the venue that [couldn’t] quite see him at his piano.” Trey then dedicated a comparatively rare first set “Down with Disease” to “the people out on the tiny strip of lawn.” A quick proto-jam is abandoned in favor of a proper finish to the song, followed by an unadorned “Gumbo,” “Ginseng Sullivan” and “The Wedge.” The crowd is then treated to a string of set closers: a workable though unspectacular sequence of “Julius” > “Cavern” and “While My Guitar Gently Weeps.”
So, does this 85-minutes of Phish beat a sharp stick in the eye? You bet it does. Was it a good first set, for Phish? That is of course for the listener to decide. My humble opinion: no real flow, safe song choices, no jamming (almost impossible with thirteen songs)... it is a tough set to love. Let’s all take a breather, regroup, and hope for a more inspired second half, shall we?
Set two opens with “Rock and Roll,” a song that had provided so many thrills and chills in its last performance, the monster from 8/15/12 in Long Beach. The peaks of Long Beach wouldn’t quite be scaled here, but it was a great jam nevertheless, two major segments – hard driving power, yielding to the spacey jam that has been so prevalent in the last year or so. This jam could have extended (much) further but had evidently run it’s course and dissolves into “The Lizards!” The second of 2012 and only the eighth since Phish’s 2009 return to the stage, this fan-favorite was mostly well-played and delightful. “Halley’s Comet” is next, adding to the list of “short songs made jamming vehicles made back into short songs” from this night (“Cities,” “Timber,” “Gumbo”).
“Sand” then blasts out of the gates and throws down a solid dose of hard-driving power funk, before shifting into a short transition of Humpback-infused space that led into “Twist.” A delightful jam was building and offering a glimpse into soaring possibilities when the first truly jarring rip-cord of the night produced “Birds of a Feather.” “Birds” was on virtual 78-rpm speed and ended almost as soon as it began – wham, bam, thank you, ma'am! This song-filled set cruises on high-octane funk with a very quick “Boogie On Reggae Woman” into a typically soaring “2001.” “Waste” finally brings this rip-roaring energy train of a set into the station for a needed breather, and a lovely “Slave to the Traffic Light” takes us home to end this ten-song set. A “Good Times Bad Times” encore closes the door, and we’re off to the ATL tomorrow.
This gig did not nearly reach the heights scaled earlier in this leg (LB, SF3) but it wasn’t without its high points. The first set was a grab bag of entertaining songs but without anything in the way of long-lasting highlights. “Rock and Roll” -> “The Lizards” was a spectacular opening sequence to the second set, and both “Sand” and “Twist,” though not all-time versions by any means, offered their fair share of rewards. Whether in attendance or rocking the couch, this was mostly a fun dance party, as well it should be.
We’ll be back tomorrow. Drive safe, folks!
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Having just listened to the spectacular R&R > Ghost from last year's show in Charlotte (8/17/11), I had high hopes when they started the second set with it tonight. But, alas, it would not compare. Tonight's show - while certainly well-played throughout - was, in a word, tantalizing. Having brought so many songs capable of producing extended improvisation, I'd have thought that at least one would have fully made it out of the gate if not lapped the whole track. I'm not disappointed at all. Just left a little unsatisfied, is all.
Regardless, tonight's outing certainly increases the intrigue of the next few shows. Will lengthier jams and sweet-ass segues be incorporated into the Atlanta and Charlotte performances? We'll see. One thing's for certain: Phish has an uncanny ability to keep us all guessing, a skill they've nearly perfected this tour.
See you all in Charlotte!
Time for bed :/
The Rock-n-Roll was nice, but nothing else in the show will be re-listened to. I felt like in Twist, it was not really rip corded but simply Trey turned to the others, knew they would lose the crowd with any serious improv and choose to Rock out the rest of the set. Let's hope the crowd is read for more serious music tomorrow in the ATL.
The band plays song oriented shows sometimes, and as far as those go I thought this one was extremely well played. Definitely not one for surprises, but mike was brilliant in boogie on and trey was on fire all night.
_"the force is strong in this one!"_
nothing really *got there* ya know what i mean but it was a rocking good time
song selection was good imo and i thought the second set flowed nicely enough to offset any lack in the *out there* department. rock and roll flirted with it and got to a nice place for a few minutes. slave was great per usual. fun stuff
Where is the Lakewood webcast? Pretty please!!! Charlotte too. (begging)
Peace from Florida,
Michael
Seems to me you don't like or get it anymore. Time for you to take a break!
It's not about song length, it's about quality. That being said, quality usually comes from patience with this band and these days, Trey has none whatsoever. When Phish jams once every 3 shows, people can't wait to say "See! They still jam!". But it's not about "Jamming". They need to relax and get that child's eye again (like Mike talks about in the IT dvd), that desire to find something new and different. It just seems that Trey can't stop thinking about what he wants to play next and all he wants to do is scream with his guitar.
I think 2010, when they were learning Waiting for Columbus, is the best Phish since they've been back because Trey was patient. Hearing Trey peak 3 minute solos for 10 set closers in a row is just boring. To each their own though.
I have been seeing phish since 1994 and have taken in some incredible shows. Phish is different these days but still put on an incredible show. In respect to "tightness" the band is better than ever, seasoned professional studied musicians at their best.
I wonder if these reviewers are actually having any fun out there??? The shallow reviews certainly don't suggest it.
I have loved this site for many years but unfortunately the reviews are elementary at best.
No room to spread out and dance. Drunks everywhere getting in the way of my ability to llet go. Catching people on their fall backs and fall downs as I was on the aisle.
I felt the music was sweet, but I desired the above mentioned r&r, twist, and sand to go further.
In typical phish ashon, Slave produced a few tears and an immense build to the white lights at the close of the song. Plus many of the drunks were sleeping by that time.
Looking forward to the next two nights as they are my only shows this summer.
Yup, it's that 2012 Phish is so amazing at their craft that they can make a 4 minute Farmhouse endlessly repeatable. And they have. Last summer I got stuck on the Gorge (Tahoe?) one. Now i'm stuck on Alpine.
Farmhouse'd?!?
Think it over.
"Then Trey counted off _______, which turned out to" be easily the best version played since Big Cypress, or the last show I saw, which was _______. Chris Kuroda was going crazy on the lights -- he's awesome, am I right? Also, I had a really juicy burger in the lot and for some reason kept thinking about that during this best-ever cosmic jam sandwich that was ______. Then there was _______, which is one of my favoritest Phish songs, and they destroyed it again (but when don't they?)."
In regards to patience, I truly believe that the boys are able to practice more patience then earlier in 3.0 and are trying to be aware of it. Last night at the start of 2001 trey motioned to fish to go slow, or wait on the drum beat for a minute or two.
One must go into shows with low expectations, even if ur on a couch, and enjoy the ride. R&R> Lizards was killer!
Remember that the band does look at reviews and comments and are affected by everyone's critical responses. That is what Kuroda said at All Good Fest, right?
I webcasted and had a great time dancing my butt off but I am probably not going to download this show for the reasons articulated in the review.
It does seem like every show has at least a few distinctive highlights, and that many non-jam corners in the composed music have gotten refreshed with some subtle creativity, so I find lots to like in every show. But not every show is special.
There are people who are obsessed with truffles who spend all their free time searching for, preparing, tasting, comparing, and discussing truffles. While I like truffles, there's no way I am remotely as passionate about truffles as these people are, because I don't choose to spend every waking free moment pondering truffles. And those people understand that all truffles are not created equal, which is what makes some truffles truly transcendent. In a way, it's the common, below average truffle that allows you to define the mindblowing, once-in-a-lifetime truffle -- because if you do not acknowledge the former, you can't describe the latter. And a truffle that blows my mind when shaved over a dish of risotto might draw scorn from a truffle connoisseur. That doesn't make him any less passionate about truffles, and if I'm doing it right, it shouldn't deaden my own experience.
Wow, that's a tortured metaphor if I ever read one.
:: hits "add comment" button ::
:: adds white truffle oil to our shopping list and chooses a show to listen to for the upcoming road trip ::
Cheers.
-it really is all in the ears/eyes of the beholder of their personal experience; only exception is certain objective points of a show that most seasoned fans would agree upon
Thanks so much for all of your help! :-)
The more banter = the happier the band is!
I saw the Rolling Stones for the first time in 2003. Was that their heyday? Was the entire audience hanging on every night? Was there real socio-political significance to the show?
No.
Was I blown away by their sheer professionalism and talent as entertainers? Did my jaw drop time and time again as they rocked out old numbers with shocking exuberance and physical acrobatics? Did they hit the notes in a way that consistently moved me to rock, reflect, and roll?
Fuck yes!
@spaced said:
Though I have a friend who like to brag about seeing around 50...some 48 of which were in 09-10. Asterisk, ahem ahem cough cough. But you never know, some kid whose 20 years old might have heard hundreds of hours of tape.