In case you missed it, Kelly Morris of THE MORE VIDEO fame was recently interviewed by Tom Marshall on his Under the Scales podcast. I enjoyed the podcast and wanted to learn a bit more from Kelly about what she was up to this summer.

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Located at the peak of the University of Pittsburgh’s main campus, the Petersen Events Center is beautiful. Built upon a 90-foot sloped site (which once deterred pedestrian traffic through the heart of campus), this one-time geographical impediment is now utilized to both great aesthetic and practical effect. An impressive five-story, all-glass lobby fronts the building and opens upon the school, functioning both as a great meeting space and central link, bridging the lower and upper portions of the university, while casting an extended, enchanted sort of effect about the school’s incredibly cramped and ultra urban grounds.

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[Recap of last night's show is courtesy of Matt Burnham, user @therealburnham.]

It's not a stretch to say that the expectations coming into the Summer of 2017 were a bit mixed. Once the Baker's Dozen shows and the tour were announced, the ruminations immediately began that playing 13 shows in one venue would throw everything off. That the shows leading up to the MSG run would be warm-ups. Tours in 3.0 have had a bit of a lag in getting on track. And although the band can usually find that high gear eventually, sometimes it can take some time to get there. Thankfully, the Northerly Run showed that that they were ready for the challenge. And although those shows were not perfect (and what shows really are?), the highlights seen in the "Everything's Right," "No Men in No Man's Land," "Simple," "Scents and Subtle Sounds," and "Carini" at the very least showed that the band was up for the challenge, and ready to try to hit the ground running.

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Welcome to the 283rd edition of Phish.Net's Mystery Jam Monday, the third of five in July. Happy tour! The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of each of the three mystery clips. The three clips are connected by a theme, but the theme needn't be part of the correct answer – but it should help you get there. Each person gets one guess to start – if no one guesses correctly, I will post a hint on Tuesday around 10 AM PT / 1 PM ET, after which each person gets one more guess before the correct answer is revealed on Wednesday around 10 AM PT / 1 PM ET. Good luck!

Hint:

Answer: For the second time in three weeks, newcomer @ThirdSound has taken down the MJM post-hint, taking three codes home in the process. Once again, he quickly deciphered the (admittedly straightforward) hint, which contained a photo of a traffic light with an illuminated yellow right turn arrow (as mentioned in the comments, I actually reflected a left turn arrow photo... because I'm ridiculous). The idea was that a yellow light is the last thing you see before you have to stop (which is when one becomes a "Slave to the Traffic Light"), and the arrow represents a 'segue' (->): all three clips segue fully into -> "Slave": 8/21/15 NMINML (-> Slave), 7/4/99 Ghost (-> Slave), and 8/9/11 CDT (-> Slave). Unless there is too much other blog activity, we'll be back Monday for MJM284.

Regular readers of this site may have noticed that the admins did not post a “Best of 2016” this year, as we did the last three years. Delicate flowers that we are, 2016 took a lot out of us. For starters, it wasn’t 2015. That may be an unfair comparison, with 2015 being the consensus best year of 3.0, but it’s also the nature of the space-time continuum. So, fine, point conceded: it may be unfair to be critical of any series of shows for not standing up to the band’s most recent high water mark. But Summer 2016 paled in comparison to 2012-14, too. In fact, many of us viewed it as the most lackluster tour since the band’s first post-breakup tour in June 2009.

Fortunately, as lackluster as the summer was, the Dick’s run proved to be a turning point (if you squint a little, you could see the seeds for the turning point start with the west coast run). In fact, a group of us began ranking the 2016 shows and two things jumped out. First, summer really was that underwhelming. There were 45 shows in 2016. Only one show from among the first 25 so much as threatened to make it into the top 10 (7/15/16). The other top 10 contenders came exclusively from the last 20 shows of the year. But -- there’s always a but -- here’s the thing: those 20 shows produce a damn respectable top 10 shows. As good as 2015? Um, no. But when you consider they came from a 20 show stretch, you realize that Phish actually ended the year in quite strong fashion.

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[This recap of last night's tour-opener is courtesy of Chris Cagle, user @OrangeSox. Thank you Chris!]

Many have remarked that Phish has begun to tilt their “tours” toward “destinations” built around holidays, major cities, and tourist enclaves, but when The Baker’s Dozen was announced, the tilt became a topple. Three night stands in Mexico, Chicago, and Denver, along with the thirteen in New York, account for 22 of the year’s currently announced 24 shows. Just two stops on the route from Chicago--in Dayton and Pittsburgh--to New York give the Summer any real appearance of an actual tour, as many fans envision one.

For a few “jaded vets,” the bravado novelty of a 13 show residency in the nation’s most established performance space could not overcome the failure to more fully reach the band’s broad audience coast to coast. The announcement of five shows across the Midwest leading to New York did little to quell the rancor; the shows were even dubbed by some to be “warm-up” shows.

Many more marveled that the band would be so bold as to take over Madison Square Garden for three weeks, and the additional shows beforehand gave a lot of people the chance to catch a show this Summer when there were no shows before. That the four need a little warm-up should come as no surprise, and it's undeniable that The Baker’s Dozen deserves the extra effort. Their first show of the Summer proved again that even while the band adjusts to being back onstage together in front of thousands, moments of glory abound, giving solid reason to believe the next week will warm up indeed.

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A number of versions of songs performed on 5/11/87 at Nectar's, likely in the second set, including the earliest known versions of "Divided Sky," "Harpua," and "Bundle of Joy," were recently unearthed, and are available here and now for free download.

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[For this guest blog piece, we're pleased to welcome Jeremy Levine (@Franklin), who ran and wrote about the Phish.net Forum's fan-vote on 2016's "Jam of the Year." - ed.]

After a seven-month process, users on the Phish.net Forum have crowned the 10/28/16 "Golden Age" as the "Jam of the Year" for 2016.

You’re probably thinking “Well, yeah. I knew that from the moment they transitioned into 'Simple.'” While your predictive abilities are impressive, that particular jam winning the tournament is pretty far from the point. We vote on "Jam of the Year" not just for the sake of finding an answer to the “What’s the best jam of the year?”, but rather for the sake of improving our critical listening and getting closer to the music. [And having fun. - Editor's note.]

To catch you up: a small group of .netters put together a bracket that pitted 64 of 2016’s finest jams against each other. Each week, we created a forum thread in which people could vote on these individual matchups, with the “winning” jams advancing into further rounds.

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Welcome to the 282nd edition of Phish.Net's Mystery Jam Monday, July's triple double (second MJM, second easiest, two clips). The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net – these codes have become even more precious since the change in policy on ticket codes. Despite the change, we still remain grateful to LivePhish.com for their continued support (financial and otherwise) of phish.net and the Mockingbird Foundation, and their continued willingness to let me give away 50+ download codes every year. To win this week's contest, be the first person to identify the song and date of both mystery clips. These clips are connected by a theme, but the theme needn't be part of the correct answer. Each person gets one guess to start – if no one guesses correctly in the first 24 hours, I will post a hint on Tuesday around 10 AM PT / 1 PM ET, after which each person gets one more guess before I reveal the correct answer on Wednesday around 10 AM PT / 1 PM ET. Good luck!

Hint: Only ten 3.0 jams fit the theme, but I had already used the "Tahoe Tweezer." I had the most options early in the 1.0 era – in fact, no 2.0 jams fit the theme.

Answer: Congrats to first-time winner @jkosoff, who figured out the hint and correctly identified the 8/27/88 "Golgi Apparatus" and the 11/22/92 "Tweezer" – both jams, like the "Tahoe Tweezer," preceded "Tela." Will we have another first-time winner, or will a grizzle vet take down next week's more difficult MJM? Tune in Monday for MJM283 to find out!

&
^^ Live Bait Vol. 13 coming soon!
See previous MJM results! ^^

Welcome to the 281st edition of Phish.Net's Mystery Jam Monday, the first* and easiest of July. The winner will receive two MP3 download codes courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the mystery clip. Each person gets one guess to start – if no one guesses correctly, I will post a hint on Tuesday, after which each person gets one more guess before I reveal the correct answer on Wednesday around 10 AM PT / 1 PM ET. Good luck!

*Reminder: As with every first MJM of the month now, only folks who have never won an MJM are allowed to answer before the hint. If you have never won an MJM, please answer as a blog comment below. If you have previously won an MJM and you'd like to submit a guess before the hint, you may do so by PMing me – if no one has answered correctly by the time I'm ready to post the hint, the first correct answer submitted by PM will be awarded the win. If you're not sure if you've won before, look in the MJM Results spreadsheet linked below.

Note: I may not have WiFi access on Tuesday, so if this week's MJM goes to hint I may leave the hint as a comment on the blog. Happy July Fourth!

Hint: I guess you could say I got a little apathetic with this MJM.

Answer: Congrats to first-time winner @ThirdSound, whose apathy detectors were in full force in identifying the 6/20/97 "I Don't Care," not just a song whose title reeks of apathy, but also a song that was used in the MJM just last week. I don't care. For his efforts, @ThirdSound takes home two download codes. Stay tuned on Monday for MJM282, when we go Double Double Animal Style.

[Caught up with Joel Cummins, keyboardist of Umphrey’s McGee. Have a great holiday weekend! –charlie]

CD: How and when did you become a Phish fan?

JOEL: My first Phish show was 6/18/94 at the UIC Pavilion in Chicago. I’m pretty sure I went by myself and I of course witnessed what is still one of my favorite shows. I was sitting Page side in the first few rows of the stands, probably mid-way back in the arena. There couldn’t have been more the 6,000 people there. I don’t think the upper part of the arena was even open for that first show there. I believe I got *IT* about Phish before I even attended a show. I remember getting the 12/31/92 Matthews Arena show on tape from a buddy and playing that “Mike’s Groove” over and over again. I really loved the studio work too and felt like there was so much to dig into in those first four albums, Junta, Lawn Boy, Picture of Nectar and Rift. I had acquired all of them and listened to them ad nauseum by the time I hit that show in June ‘94. I remember walking out of the arena feeling like my mind was about to explode. The band was so good and I didn’t even understand half of what had just happened.

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Welcome to the 280th edition of Phish.Net's Mystery Jam Monday, the final and most difficult of June. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the songs and dates of the three mystery clips – these clips are connected by a theme, but the theme needn't be part of the answer (though trust me on this one: it's going to be even more difficult if you don't pick up on the theme this week). Each person gets one guess – if no one guesses correctly, I will post a hint on Tuesday around 10 AM PT / 1 PM ET, after which each person gets one more guess before I reveal the correct answer on Wednesday around 10 AM PT / 1 PM ET. Good luck!

Hint: It would've been nice to have had another clip this week, but though Phish has played "El Paso," they've never played in El Paso.

Answer: Pencils down! Thanks to the excellent idea from MJM Emeritus @runlikecarini, the Blog has its 20th victory in 279 (plus one voided contest) tries! The key to this week's MJM: Think of London, small city (6/16/97 I Don't Care); There's a lot of bridges / rich people in, Birmingham (5/2/94 Mike's Song -> Jam with Oteil Burbridge); Did I forget to mention Memphis? (6/14/95 Don't You Want to Go?). But what was the hint all about? In the Talking Heads alternate version of "Cities," there's another verse before Memphis:

Down El Paso way things get pretty spread out
People got no idea where in the world they are
They go up north and come back south
Still got no idea where in the world they are.

Come back on Monday when the difficulty drops back to "considerably easier" in MJM281, while two codes will be awarded.

Note: MJM Emeriti – stay tuned for an email.

Welcome to the 279th edition of Phish.Net's Mystery Jam Monday, the penultimate of June. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the songs and dates of all three mystery clips – these clips are connected by a theme, but the theme needn't be part of the correct answer. Each person gets one guess – if no one guesses correctly, I will post a hint on Tuesday, after which each person gets one more guess before I reveal the correct answer on Wednesday around 10 AM PT / 1 PM ET. Good luck!

Historical note: It's not often the MJM falls on a day in Phish history with 10 setlists to look back on – there are some all timers in there for sure. Anyone get an early start so they can hear all twenty sets (8 x 2 sets, 1 x 1 set, 1 x 3 sets) today? Hope everyone had a nice Father's Day!

Answer: Congrats to @jimsleftear on his second win and code – while he's a relatively new MJM player, he's no n00b, so don't be surprised to see him rack up a few more wins before year's end. This week he quickly identified ('quickly' is serious understatement: he nailed three clips in 65 minutes!) the 6/19/94 Reba (see historical note above), the 11/11/98 Halley's Comet, and the 8/11/93 Mike's Song – three jams played in the state of Michigan – without falling into the 6/19 trap I had laid. MJM280 is going to be a toughie, tune in Monday if you're up for the challenge!

Welcome to the 278th edition of Phish.Net's Mystery Jam Monday, the second and second-easiest of June. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the songs and dates of both mystery clips – these clips are connected by a theme, but the theme needn't be part of the correct answer. Each person gets one guess – if no one guesses correctly, I will post a hint on Tuesday, after which each person gets one more guess before I reveal the correct answer on Wednesday around 10 AM PT / 1 PM ET. Good luck!

Note: The technical difficulties have subsided – setlist and jam charts and everything else should be as your disposal. Good luck!

Answer: Congrats to longtime MJMer @andrewrose on his fifth MJM win, correctly identifying the 5/24/88 Sloth (@tmwsiy's first show!) and the 12/5/97 Slave (the only Type II version to date). With a handful of wins, our friend from the Great White North needs only two more to join Mt. Jamsmore (if only Trey would too, amirite?). This week's MJM, like 9/2/11, was brought to you by the letter S, straight from the mind of MJM Emeritus @runlikecarini, who heard the Whipping Post-ish vibe (a song they'd played for damn near a half hour in the previous three-song second set) in the Sloth intro and thought it a tricky but fitting homage to Greg Allman. What's going down next week? Tune in Monday for MJM279 to find out.